work in progress: Roman Labyrinth |
I wanted to overlay one system upon the other, and starting with the darkest dark at the center point of the labyrinth, follow its path around and out, by following the transitions of the light scale. Even though they were both systems of a type, the light scales were going to work at odds with the symmetry of the labyrinths. I liked the fact that even while all things were constant within their respective parameters, the drawings were unpredictable and looked, well, odd.
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