The Sketchbook Project 2012

...is up and atom. Brought to you by The Art House Co-op of Brooklyn, NY.

It's a great way to get your creative juices going.   

Check out the guidelines on their website under Sketchbook Project 2012.


I participated last year and surprised myself with what I came up with...

Polyhedra A-Plenty

Tetrahedron Form, graphite pencils, 6x9 in., Otto

Tetrahedron Net, graphite pencils,6x9 in., Otto

Here's a 3-dimensional rendering of one of the five platonic solids - a tetrahedron.

Tetrahedron Frame, graphite pencils, 6x9 in., Otto

And a drawing of one of two possible "nets" or diagrams for folding a 3-dimensional tetrahedron shape (with the addition of my light scales, of course!)













And finally, a drawing of the frame of a tetrahedron so you can see through it.




I could go on and on...




you know I can...

Next Up: Platonic Solids

Icosahedron, graphite pencils, 9x6 in., Otto

Yes, I've been playing around with the following 5 polyhedra, but as unfolded flat images, rather than solid geometrical shapes...

Why you might ask?  Well, that's just what interests me...the diagram aspect of it.  The step-by-step procedure for creating them...and of course, figuring out how to apply my light scale sequence to it.  

Which is something I've been experimenting with in each polyhedron...

Dodecahedron, graphite pencils, 9x6 in., Otto

Octahedron, graphite pencils,9x6 in.,Otto

Cube, graphite pencils, 9x6 in., Otto

Tetrahedron, graphite pencils, 9x6 in., Otto

So Many Inklings, So Little Time

3 Intersecting Planes by M.C. Escher

...coming fast and furious, but really, I have all the time that I need for my creative process don't ya know.

Anyway, Escher coming through, and platonic solids, and paper folding, crease patterns, and graduating light scales, and Notan or principles of shadow and light - both Jungian and design-wise, cultivating a daily creative practice workshop, and Sufism, and of course the labyrinth designs, mandalas in general, sequences, stages, phases, diagrams, geometric/ archetypal forms, systems.  

It's all in there, stirring around, re-combining, shifting, sifting.  I'm just percolating...and drawing, and being fascinated... 

A Roman Labyrinth Complete

Roman Labyrinth, graphite pencils, 7x7 in., Otto

eh,

not so interesting to me...

since the Roman labyrinth doesn't crisscross into the different quadrants until each section has completed its spiral, my overlay system hasn't much room to play out.

...turns out, when each quadrant is basically the same, the light scales lay out basically the same, and the end result is...

not so interesting to me.